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tusk, ivory, Benin Culture, Nigeria, Africa, XVIII c.; a rare ivory tusk from the Kingdom of Benin, finely carved with the figures of warriors, serpents, etc.; the inclusion of the carved figure of the Oba or King, represented with its traditional mudfish, instead of legs, denotes that this was one of the Royal tusks which stood in the great bronze heads on the altar of the Oba's ancestors

Tusk, 1775-1777

Edo

G250

%C2%A9 The Estate of Francis Bacon. All rights reserved. %2F DACS%2C London %2F ARS%2C NY 2014

Study for Portrait VI, 1953

Francis Bacon

G376

Leopard Aquamanile, Bronze, Benin Culture, Africa, XVIIc; covered with incised spots and smnall punch marks. Rare example.

Water pitcher, 18th century

Edo

G250

Center dipicting a man attacking another, probably representing Cain and Able; reverse has a nude boy holding a plumed helmet

Basin with Hercules and Cacus, c. 1570

Orazio Fontana

G332

Relief study for the marble relief of Pope Liberius Baptizing Neophytes, in the Cortile de Belvedere in the Vatican, adorning the Fountain of St. Damasus

Pope Liberius Baptizing the Neophytes, 1647–49

Alessandro Algardi

G313

Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)

Circle of Gianlorenzo Bernini

G310

Copyright of the artist%2C artist%27s estate%2C or assignees

Geraniums, c. 1942

Bessie Lourdes Mulholland

G353

thin-walled large bowl; interior painted with spirals and other geometric designs in red

Bowl, c. 900-1200

Hohokam

Not on View
rounded body with vertical ribs from base to shoulder; outward-flaring rim; iridescent sheen

Ribbed Jar, Date Unknown

Roman

G241

chrome frame with 7 brown fabric strips: 2 at each arm and back, large strip for seat

%C2%A9 Marcel Breuer %2F Standard M%C3%B6bel

"Wassily" armchair, model B3, c. 1926

Marcel Lajos Breuer; Manufacturer: Standard Möbel

G378

bust of a woman with a cluster of small snakes at the front of her head, wings at the side of her head; intertwined snakes below her breasts

Medusa, c. 1854

Harriet Goodhue Hosmer

G323

A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Illustration for "The Grave", 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View
A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Illustration for "The Grave", 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View
A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Illustration for "The Grave", 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View
A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Illustration for "The Grave", 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View
A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Illustration for "The Grave", 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View
A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Illustration for "The Grave", 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View
A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Illustration for "The Grave", 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View
A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Illustration for "The Grave", 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View
A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Illustration for "The Grave", 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View
A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Illustration for "The Grave", 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View

The Piazza in Covent Garden, London, 17th century

Wenceslaus Hollar

Not on View
A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Portrait of William Blake, a frontispiece to The Grave. A Poem by Robert Blair, 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View

Samson Fighting with the Lion, designed c. 1497-1498, printed early 20th century

Albrecht DĂĽrer

Not on View
A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Illustration for "The Grave", 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View
A poem illustrated by twelve etchings. Bound. An original subscriber's copy in original board with the printed label.

Illustration for "The Grave", 1808

Luigi Schiavonetti; Artist: after William Blake; Author: Robert Blair

Not on View
One of a pair of similar bronze escrutcheons, the shield in each bearing the Arms of the Borghase family: a crowned eagle with outspread wings, above a griffin. The shield incorporates at the top a man's head, and above this a cross, which appears under a Cardinal's hat. Each side is supported by a nude winged cherub.

Coat of arms of Cardinal Scipione Borghese (1579–1633), c. 1620–30

Italy

G330

Represented as a child. The figure is in the tribhanga stance and carries a cymbal in his left hand. The right hand is in a gesturing position. Patina brownish-green. Index finger of right hand missing.

Child Shaiva Saint Sambandar, 15th century

India

G211

Coat of arms of Cardinal Scipione Borghese (1579–1633), c. 1620–30

Italy

G330

Standing female figure, possibly deble rhythm pounder with tribal scarifications on face and stomach.

Rhythm Pounder, 19th century

Senufo

G250

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered vase, from a five-piece garniture set, c. 1710

Netherlands

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

headrest with fluted column on rectangular base; column supports curved oval element on top of smaller rectangle (oval and rectangle are carved from one piece of wood); two wooden pins on one side one on base and one on smaller rectangle

Headrest, c. 2635-2155 BCE

Ancient Egyptian

G254

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

slender body with flared mouth; ribbing on body; white ground decorated with flowers and birds near water in blue, green and orange

Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

slender body with flared mouth; ribbing on body; white ground decorated with flowers and birds near water in blue, green and orange

Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

rounded front with front writing desk that tips downward, revealing 12 drawers flaking and above a mirrored recess with columns; landscape transfer designs on top drawer and center drawer; large drawer on exterior below writing desk

Biedermeier secretary, 1834

Hungary (probably)

G324

group of men looking out from behind barbed wire; four men wear striped pants and coats; old man at right leans against a cane

%C2%A9 Estate of Margaret Bourke-White

The Living Dead at Buchenwald, 1945

Margaret Bourke-White

Not on View
damaged wristwatch without a band against light-colored fabric background

%C2%A9 Shomei Tomatsu

Atomic Bomb Damage: Wristwatch Stopped at 11:02, August 9, 1945, Nagasaki, 1961 (printed 1980)

Shomei Tomatsu

Not on View
photograph of a street scene with riot police and horses

%C2%A9 Stan Douglas. All rights reserved.

Abbott & Cordova, 7 August 1971, 2008

Stan Douglas

Not on View
44 individual paintings, received framed and mounted in four rows of eleven paintings, each row attached together with two string loops; oranges, flesh tone, blue, yellow, black, brown, green and grey; various religious scenes--see Components for descriptions of each leaf

(Ethiopian saints and scenes from the Hebrew scriptures and the Christian Bible), late 17th century

Unknown

Not on View
two wood panels attached in book form with string; traces of gesso and fragments of running border designs in black on outer front cover; each inner panel split into three horizontal frames showing various scenes including Jesus with the 12 apostles, Mary and infant Jesus with a pair of angels with swords, the crucifixion, Daniel with two lions and St. George slaying a serpent-like dragon; orange, yellow, grey-blue, black and white

Diptych icon, about 1700

Unknown

G254

%C2%A9 Estate of George Morrison %2F Briand Morrison

Red Totem I, 1977

George Morrison

G375

Group of six framed photographs installed with one vertical photograph at right and five photographs clustered together at left at a 45-degree angle; each photo printed in black on blue or pink ground with Ben Day dots and framed in black frame Part 1/6 (a): blue; silhouette of running man in profile, wearing a hat Part 2/6 (b): pink; barking aggressive German Shepard dog on its hind legs with arm and leg of man being lunged at by dog at right; crowd at top of image Part 3/6 (c): pink; image on the diagonal; back of torso and PR arm of man swinging a bat Part 4/6 (d): blue; image of back of man with legs wide apart (head out of picture plane) with a dog pulling on the seat of his pants; other figures at top Part 5/6 (e): blue; image of a Black handcuffed woman wearing a dress and white shoes being pulled by her wrists by a uniformed figure and escorted by two other white men in uniforms Part 6/6 (f): blue; two Black men and a Black woman leaning against a brick building while a strong jet of water is strayed at their backs

Blues and Pinks 3, 2020

Carrie Mae Weems

G369

Western style coat with outward flaring skirt at bottom; small rectangular flap at back of neck; black, red, tan and light grey geometric painted symmetrical designs; cuffs on sleeves; light-colored hide; no closures

Hunting Coat, c. 1750

Innu (Naskapi)

Not on View

Landscape with an Obelisk, c. 1650

Rembrandt van Rijn

G344

high relief central mythological scene with Zeus emerging from clouds at center top, accompanied by an eagle; nine figures (two women)--including Artemis and Hermes--wearing drapery and seated around a bench with fish and sea creatures; two small figures in the distance, ULC; inner rim decorated with groups of three fish; outer rim has reclining figures alternating with grotesque masks

"Feast of the Gods" charger, 1808

William Pitts; Manufacturer: Rundell, Bridge & Rundell

G350

tapered hexagonal shaft with silver patina; gold teardrop-shaped end with turquoise gems; two gold bands; top has gold crowns, two gold heads and skull and green and pink gemstones

Khatvanga Ritual Staff, 18th century

China

G212

paddle-shaped with small hole in one end; back side smooth and curved; front side flat and carved with incised decoration of hatched lines forming irregular rows of diamonds; reddish brown

Ceremonial Bull Roarer, c. 1900

Aborigine

G256

Mort de Pepe Illo (2nd compostion), plate E from Tauromaquia, 1816 (1876 edition)

Francisco José de Goya y Lucientes

Not on View

Caida de un Picador de su Caballa Debajo de Toro, plate 26 from Tauromaquia, 1816 (1876 edition)

Francisco José de Goya y Lucientes

Not on View

Candlestick, one of a pair, 1771-1772

William Cox III

Not on View

Candlestick, one of a pair, 1771-1772

William Cox III

Not on View
pendant, metal and enamel set with green scarab within Egyptian style design and hung on chain with miniature mummy as clasp

Necklace with scarab pendant, c. 1925

England

Not on View
Genre. Portrait of a woman in a white blouse and black hat.

Copyright of the artist%2C artist%27s estate%2C or assignees

Little Milliner, 20th century

Frances Cranmer Greenman

Not on View
Landscape

%C2%A9 Estate of George Morrison %2F Briand Morrison

Mount Maude, c. 1942

George Morrison

Not on View

Breaking up of the Agamemnon, 1870

Francis Seymour Haden

Not on View

The Early Ploughman (The Morning Spread upon the Mountains), c. 1861

Samuel Palmer

Not on View

Belle of the Village, 19th century

George Baxter

Not on View
boat with 2 masts near center of image; 3 other boats in background; sun breaking through dark clouds

A Passing Squall, New York Harbor, 1896

Charles E. Bolles

Not on View
creek with still water; rocky banks; trees overhanging water

Wissahickon Creek, Philadelphia, c. 1900

Henry Troth

Not on View
tree in foreground; scattered trees in valley in background; mounted behind a sheet with mat opening

Untitled [trees, looking down from hill], c. 1904

William J. Mullins

Not on View
beach with puddles and long grasses; trees in background; light-colored clouds in sky

Untitled [view of a beach], c. 1907

William J. Mullins

Not on View
crying child standing in doorway with woman in bonnet and apron on child's PR; broken saucer on step on front of figures; from a portfolio with essay on photographer

The Broken Saucer, April 1890

J. B. B. Wellington

Not on View
narrow stream with boat near center; buildings and horses at R; from a portfolio with essays on the photographer

Eventide, April 1890

J. B. B. Wellington

Not on View
bare tree and partially immersed fence reflected in a very large water puddle

Untitled [Tree and Fence Reflected], c. 1900

William B. Post

Not on View
woman with hair in a bun, wearing a white shirtwaist, leaning over the side of a rowboat, picking water lilies

Sadie Gordon Weston, c. 1895

William B. Post

Not on View
close-up of white blossoms on branches

Untitled [Blossoms], 19th-20th century

William B. Post

Not on View
empty row in cornfield between corn rows

Untitled [Row Between Corn Rows], 19th-20th century

William B. Post

Not on View
shrub and grasses in snow in foreground; bare trees in background

Untitled [Grasses in Snow], 19th-20th century

William B. Post

Not on View
snow on tops of granite fenceposts; snow on bare branches behind posts

Untitled [Granite Fence Posts in Snow], 19th-20th century

William B. Post

Not on View
tracks in snow in foreground; house in background at R with bare trees in the distance

Day Before Christmas, c. 1909

William B. Post

Not on View
smooth blanket of snow in foreground; blurry bare trees in background

Untitled [Trees in Distance], 19th-20th century

William B. Post

Not on View
blowing grasses

Untitled [Detail of Grass], 19th-20th century

William B. Post

Not on View
6 water lily blossoms on calm water

Untitled [Water Lilies], 19th-20th century

William B. Post

Not on View
apple tree in bloom at R; rock in LLC; 3 cows grazing at top L

Untitled [Apple Blossoms with Cows in Distance], 19th-20th century

William B. Post

Not on View
hard-cover book with sand on cover; swirling designs traced in sand

%C2%A9 James Henkel

Sand Cover, 2002

James Henkel

Not on View
two prints, taped together at back vertically; left print: partial view of page and side view of pages behind; sliver fist atop pages; TLC, photograph of giraffe attached with paper clip; LRC, pink matchbook glued onto print; R print: collage of fashion photographs; photograph of a book at L edge center, extending onto L print; feather attached to print at LL edge

%C2%A9 Peter Beard %2F Artists Rights Society %28ARS%29%2C New York

Khadija and '78 Diary, 2003

Peter Beard

Not on View
man in foreground, wearing hat and suspenders, raking hay; another man in background, left; thick clouds in sky

Copyright of the artist%2C artist%27s estate%2C or assignees

Untitled [man harvesting], 20th century

T. O'Conor Sloane Jr.

Not on View
3 pumpkins in a field; cornstalk stacks in background; double mounted

Aftermath, 19th-20th century

William B. Post

Not on View
small hill at L, covered with snow; footprints wind between bare trees; evergreens on top of hill, ULC

Untitled [Snow on Hill with Bare Trees], 19th-20th century

William B. Post

Not on View
branches covered in white blossoms

Untitled [Blossoms], 19th-20th century

William B. Post

Not on View
2 white sheep, larger at R, grazing in a pasture; blurry black animal in background at L

No. 5, 19th-20th century

William B. Post

Not on View
foliage at R, hugging bending path; tree stump at L

Untitled [Bend in Road with Tree Stump], 19th-20th century

William B. Post

Not on View
smooth snow with blown-over footprints; bare branches at top

Untitled [Wind-Blown Footprints], 19th-20th century

William B. Post

Not on View
man seated on ground, in profile, wearing a dark shirt and light pants; striated rock layers in diagonal lines toward ULC behind man

The Minor White Archive%2C Princeton University Art Museum%2C bequest of Minor White %C2%A9 Trustees of Princeton University

Bud Singer, San Pedro Point, California, October 19, 1947

Minor White

Not on View
slightly darkening sky with thin clouds; low horizon line with water with gentle waves in foreground

The Minor White Archive%2C Princeton University Art Museum%2C bequest of Minor White %C2%A9 Trustees of Princeton University

San Mateo County Coast, California, October 23, 1947

Minor White

Not on View
vertical line of frothy waves

The Minor White Archive%2C Princeton University Art Museum%2C bequest of Minor White %C2%A9 Trustees of Princeton University

San Mateo County Coast, California, November 7, 1947

Minor White

Not on View
trees and grasses in foreground with calm water and boat in middle ground; hills in background

The Minor White Archive%2C Princeton University Art Museum%2C bequest of Minor White %C2%A9 Trustees of Princeton University

Lands End, San Francisco, California, April 22, 1948

Minor White

Not on View
large rocks in water, seen from above, with waves

The Minor White Archive%2C Princeton University Art Museum%2C bequest of Minor White %C2%A9 Trustees of Princeton University

Sun in Rock (San Mateo County Coast, California), October 12, 1947

Minor White

Not on View
choppy water; bright sky with clouds

Great South Bay, c. 1891

William B. Post

Not on View
water lily blossoms on calm water

Untitled [Water Lilies], 19th-20th century

William B. Post

Not on View
two bulbous chambers with long necks; necks connected with handle; one neck topped with partially reclining cat; other neck has flat ring mouth; four crescent-shaped indenations on each chamber; dark patina

Bottle, 1400-1532

Inca

Not on View
flat-topped mountain peak seen across a lake; trees on opposite shore

El Capitan, Yosemite Valley, California, c. 1915

Willard E. Worden

Not on View
rows of small trees in bloom; small ditch extending back from foreground between rows of trees

Blossoming Orchard, c. 1910

Willard E. Worden

Not on View
Mt. Tamalpias viewed across a lake; small buildings and trees on opposite lakeshore

Mt. Tamalpias, Marin County, California, c. 1915

Willard E. Worden

Not on View
rolling sand dunes; taller dunes have foliage growing on top of them

Untitled [sand dunes], c. 1915

Willard E. Worden

Not on View
houses along a road on a straight riverbank; rock wall at right above houses

Untitled, 20th century

James Bartlett Rich

Not on View
bridge with two figures and bicycle, over a small man-made waterfall; figures on bridge look at lake with sailboat

Untitled [bridge with bike], 20th century

James Bartlett Rich

Not on View
smooth, reflective lake; rock, LLC; tree at left; view over water to mountain peaks in background; trees near water on opposite bank

Mirror Lake, Yosemite Valley, California, c. 1910

Willard E. Worden

Not on View

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